Full coverage: Television

The majority of television watched in Ireland is imported, mostly from the UK. Public clamour for indigenous programming doesn’t match the private choices made in Irish homes.

In a special feature, The Currency spoke with the independent companies that make up the backbone of Irish TV production about FDI tax credits, RTÉ and an industry on the cusp of something bigger.

Recent events show that the way independent productions are held to a higher standard by RTÉ with endless cost reports and battles over budgets might just be a good thing, writes Kite Entertainment’s managing director Darren Smith.

Following his untimely death earlier this year, screen producer James Flynn leaves a healthy business – and a blueprint for the tax policies that could harness Ireland's creative spirit even further.

An analysis of the performance of Metropolitan Films, one of the country’s most commercially successful television and film productions companies, confirms that the industry is both highly cyclical and highly dependent on tax credits.

Less than a year after stepping down as MD of Virgin Media Television, Pat Kiely has launched BiggerStage, a media venture that aims to develop content, partnerships and talent. He outlines the business plan, and reveals the highs and lows of his time with the commercial broadcaster.

With U2, he helped build the biggest band on the planet. With Riviera, he has created one of the most-watched TV programmes in the world. In a rare interview, Paul McGuinness reveals the commercial strategy behind U2 and reflects upon his career.

Tax relief approved under the section 481 film and television scheme dropped by two-thirds to €33 million last year. Producers say the system has become too complicated. Will new guidelines fix it?