This is an interesting month for Irish art and one that has been provocative for contemplating the larger movements in our economic, geopolitical, and societal circus. I have written about the unease with which people move between cultural and as such socio-economic, circles and also about the Northern Irish artist Colin Davidson, and the influence that his work has had on my appreciation of art in general. As chance would have it, I had the good fortune to be invited by Sotheby’s to the opening of an exhibition of his new works in Dublin, before it moved to London. His…

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