Coolmore company gets planning for housing development near Clonmel

The Irish firm was bought by a multinational in October but did not reveal the price of the deal. New filings have emerged showing what the shareholders of the company will be receiving from the winding up of the company.

Figures show the volume of High Court litigation is shrinking among Ireland’s top-flight law firms like Arthur Cox and McCann Fitzgerald. Should they be concerned?

Press Up’s 2018 accounts show a company with the pedal to the floor, with revenues up by 22 per cent and headcount up 63 per cent. Yet the company made very little profit. After it pulled a proposed partial sale, what does the future hold for the group?

Eight months into his new job, Kylemore Abbey’s executive director Conor Coyne is convinced that growth lies in quality over quantity. Helped by the religious ethos of his board members, he is investing millions into a more reflective form of tourism.

Going into 2020, The Currency spoke with some of the newest fashion designers to come out of Ireland about their plans for the start of the new decade.

ChannelSight co-founder John Beckett is on a mission to get tech companies to offset their greenhouse gas emissions by planting trees. He tells Tom Lyons about the latest developments at Forestry Partners and at his main online marketing business.

New documents show that Paddy McKillen has brought a counterclaim for damages against IBRC, alleging his character and reputation have suffered in the fallout from the Maple scheme.

Dylan Collins spent years trying to attune investors to the merit of his “kid tech” company. Now, SuperAwesome is being wooed by US bankers keen for a piece of a mooted $600m IPO. Just how did he do it? And what comes next?

Louis Walsh is a doyen of the Irish entertainment industry. The pop Svengali talks about the business of fame, how he spends his money, his early years in showbands and what Simon Cowell is really like.

In a retail world turned upside down by the digital revolution, the leadership style of Brown Thomas’s fashion director includes a measure of “listen and wait” and careful attention to young people.